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• 03 / 11 / 2010

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In my hands I’m holding Patricio Amaro's new disk, the boy who sung "love I never forget you, / I never forget you, my love".

I heard this song that had a mix of rock with pop. It’s a realm in which Patricio moves with ease and he does it well. Now he launched his new album Sweet Madness (Bis Music 2010) and he looks different since the very front cover of the album.    

Will it sound different? the question stirs up. I invite you to keep on discovering the new album and find out.  At first sight, as I commented, Sweet Madness surprises for showing Amaro with a different look.
   
The cover combines colors like blue and white to give a light image of the singer. While, in the back cover, the interpreter appears with his guitar and black gloves, on the background, a stronger shade of blue. Those symbols give the idea that he has not abandoned his rock formation.    

Ricardo Monnar highlights in the inside snapshots, where he takes the concepts recorded in the CD’s name and deploys those postulates in the graphic design of the album.   

The production of the album was in charge of Jose Manuel Garcia Suarez and Eddy Cardoza Lopez who also had an active participation in the recording, mix, and mastering of this product.    

In the case of the tracks included in the disk, they all have been written by Patricio. In total there are 11 songs in Sweet Madness, among them the author offers the single that gives title to the album - one of the tracks is a remix with a certain disco rhythm -, I Never forget you, one of Amaro’s hits is also included as a bonus track.  

It’s nice to hear I Came Walking, where the composer clarifies - maybe as a statement on how he got to music - that "nobody brought him".
 
In the ballad rock For Life, where the guitar has a leading role next to the singer's voice, I see that romantic breath always present in the singer and that explains with beauty that “I become a poem, / you become my muse and my sweetest dilemma. / Benedetti leads the way, / among its verses I see myself / in all I feel and I never say."   

Where to find these songs in which Amaro shows himself more rocker? Because it’s all over the album, but especially in I no longer think of you and Heaven in your mouth. There Patricio speaks of the indifference and the highest of feelings, in lyrics that shape with fineness his way of composing.   

I am not surprised that Sweet Madness is a summary of well-written songs on a well thought melody and with an evident knowledge of the commercial market, because in the end Patricio Amaro's new album approaches his growth as a musician and he
creates that important effect of captivating all those who listen to him.

By: Yelanys Hernandez Fuste

Source: Cubasi