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Official Media Criticizes Reggaeton, Calls for Regulation in State Institutions

Saturday, March 15, 2025 by Ethan Navarro

Official Media Criticizes Reggaeton, Calls for Regulation in State Institutions
Concert in Havana - Image by © CiberCuba

Reggaeton, a ubiquitous presence in Cuban daily life, has once again come under fire from the official media, which now demands stricter regulations on its broadcast within state institutions. The controversy reignited after a brewery was set up in Matanzas' Watkins Park, a spot often visited by children, where songs deemed "inappropriate" for minors were played, according to the official newspaper Girón.

The debate surrounding reggaeton is not new. For years, reggaeton and its offshoots—trap and reparto—have sparked discussions about their cultural influence and potential negative impact on society. Girón highlights "the repetitiveness" of its melodies, the "low musical quality" of its performers, and the persistent "objectification of women" in its lyrics.

Meanwhile, supporters of the genre argue that reggaeton is a legitimate expression of youth and an undeniable part of Cuban urban identity. The article in Girón, titled "Reggaeton Shouldn't Be Everywhere," advocates for regulation and censorship, arguing that tracks like "La Totaila" by Bebeshito are being played in spaces frequented by children.

"It's undeniable that certain boundaries must be set. Even something as simple as a song's message can be interpreted in countless ways, and a child's mind is open to all sorts of interpretations. While institutions bear the responsibility of deciding what music is played within their premises, at home, it is entirely up to the parents," the article emphasizes.

The suggestion, however, raises several questions, especially within a totalitarian context like Cuba: who decides what music should be heard? Should it be censored or merely regulated? While a total ban seems impractical, given reggaeton's deep roots in popular culture, the article suggests implementing guidelines to prevent its exposure to children in public places.

Beyond the controversy, Cuban reggaeton has evolved into a significant commercial phenomenon, thanks in part to artists like Gente de Zona, El Taiger, and Bebeshito. These top performers draw large crowds and generate substantial income both on the island and in places like Miami and Italy, establishing reggaeton as one of the most lucrative music industries in the country. Its influence extends from scooter speakers to nightclubs, public and private spaces alike, making it nearly impossible to eradicate.

Understanding the Reggaeton Controversy in Cuba

Why is reggaeton facing criticism in Cuba?

Reggaeton is criticized for its repetitive melodies, perceived low musical quality, and lyrics that often objectify women. The controversy also stems from its presence in public spaces frequented by children.

What are the proposed regulations for reggaeton in state institutions?

The proposed regulations focus on limiting the exposure of reggaeton to children in public areas and within state-run facilities, emphasizing the need for guidelines on appropriate content.

How has reggaeton contributed to Cuban culture and economy?

Reggaeton has become a vital part of Cuban urban culture, contributing significantly to the music industry. It has also generated substantial revenue and international recognition for Cuban artists.

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